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‘America’s Got Talent’ Fans Say Judges Miss The Mark On Ryan Shaw

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By the time soul singer Ryan Shaw hit the stage of America’s Got Talent” he had already earned three Grammy nominations. In addition he played the role of the indomitable Stevie Wonder on Broadway in Motown: The Musical based on the life of Berry Gordy Motown: The Musical is scheduled to return to Broadway in the summer of 2016.

In his initial audition for the judges, Shaw belted out a powerful rendering of the Beatles “Yesterday” prompting judge’s Howard Stern and Heidi Klum to emphatically send him on to the next round. Shaw, who is a native of Decatur, Georgia, has been singing since the age of 5. As the son of a Pentecostal Minister, Shaw did not begin singing pop music until he left home and began working at the now closed Motown Café in New York City. His star continued to rise as he toured with Tyler Perry’s I Know I’ve Been Changed.

After touring with the play, Shaw joined doo-wop group the Fabulous Soul Shakers. His first album, “This is Ryan Shaw”, for Columbia, earned him a 2008 Grammy nomination for “I Am Your Man.” In 2011 Shaw received another Grammy nomination for “In Between,” and in 2014 received his third for “Yesterday”. Shaw also snagged an audition with Berry Gordy and was then cast as Stevie Wonder. Shaw says of playing that iconic role “Initially it was very frightening because as an up and coming artist, I had the fear of failing him in some way. I had come to terms that I will never be Stevie and so my challenge became not how to imitate him, but rather how to embody him. It took pressure off and gave me a sense of freedom to be Stevie to each audience every night. It is a brilliant honor each and every time.”

On his second performance for “America’s Got Talent”, Shaw performed Bonnie Rait’s “I Can’t Make You Love Me”. Unfortunately, the judges found his performance less than stellar and he did not advance to the quarterfinals. Fans on Twitter strongly disagreed with the judge’s ruling and voiced their support of the charismatic singer.

FeliciaRenee™ on Twitter

@thisisRyanShaw Saw your performance on #AGT & your voice is amazing! Will be keeping my eye on you…something good is coming your way!!!

https://twitter.com/brianleejackson/status/624683067962068992

Chef Wyze on Twitter

@thisisRyanShaw I hope you stay encouraged. Your voice is amazing. I am downloading your albums as we speak! #shouldvewentthrough

Shaw took the time out to reply to many of the fans on Twitter with grace and humility.

Ryan Shaw on Twitter

Thanks for the love #AGT #JudgeCuts #teamryanshaw https://t.co/KTE8guUPAL

Ryan Shaw on Twitter

This made me smile. I believe music should move people and that why I do it. Thanks for the love #AGT #JudgeCuts https://t.co/QkkLU5wQP8

There is no doubt that appearing on the show further grew Shaw’s fan base and we are quite sure that we haven’t heard the last from this talented singer.

Nicole "Blackberri" Johnson is a freelance writer, stage/ film actress, activist and entrepreneur. Mom of three. Blackberri is also a notorious cape thief and unapologetic bacon lover. Follow on twitter @Blackberri

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Events and Happenings

Erika Dickerson-Despenza Addresses Flint Water Crisis with Cullud Wattah

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Playwright Erika Dickerson-Despenza

There is limited seating left for Erika Dickerson-Despenza’s new play CULLUD WATTAH at The Public Theater. Opening today, Thursday, March 7th and running until Sunday, March 10th in the Public Studio is about three generations of Black women living through the current water crisis in Flint, Michigan.

“It’s been 936 days since Marion’s family has had clean water. When local activists file a class action lawsuit against the city, Marion—a third-generation employee at General Motors—must decide how best to support her two daughters, sister, and mother while lead seeps into the community, their home, and their bodies. As corrosive memories and secrets rise among them, the family wonders if they’ll ever be able to filter out the truth.”

2018 Relentless Award Semifinalist and poet-playwright makes her Public Theater debut with CULLUD WATTAH directed by Lilly Award winner Candis C. Jones; the cast includes Deonna Bouye (Marion), Alana Raquel Bowers (Reesee), Caroline Stefanie Clay (Big Ma), Nikiya Mathis (Ainee), and Kara Young (Plum).

The creative team includes Production Stage Manager Gregory Fletcher, Stage Manager Priscilla Villanueva, and Movement Director Adesola Osakalumi. Along with scenic design by Arnulfo Maldonado, Costume Design by Ntokozo Fuzunina Kunene, lighting Design by Jeanette Oi-Suk Yew, and sound design by Megan Culley

We believe in this work so much we’re giving away 4 tickets to the performances on March 10th. 2 tickets to the matinee and two the evening performance thanks to our founder Drew Shade and actress/playwright Jocelyn Bioh. Go to our Instagram to find out how!

Also, find out more about how you can help the Flint Water Crisis and support this show HERE.

Listen to Erika talk about her work on an episode of Off Book Podcast below

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Surely Goodness and Mercy by Chisa Hutchinson Begins Off-Broadway

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Performances begin today, Tuesday February 26th, for the New York premiere of  Surely Goodness and Mercy, presented by Keen Company. A story about an exceptional boy living a troubled life in Newark, NJ who does a good deed for an often unnoticed person.   Sarita Covington, Jay Mazyck, Brenda Pressley, Courtney Thomas, and Cezar Williams star under Jessi D. Hill’s direction.

Set in an under-funded public school in Newark, Surely Goodness and Mercy by rising playwright Chisa Hutchinson, tells the story of a bible-toting boy with a photographic memory who befriends the cantankerous old lunch lady. Against all odds, Tino and Bernadette help each other through the mess of growing up and growing old.  

Surely Goodness and Mercy has spent the last year charming audiences across the country: “Notably absent from Hutchinson’s frank and sobering story: cynicism” – Chicago Reader; “(Surely Goodness and Mercy has) a soul-stirring quality, touching audiences with its sincerity” – Daily Utah Chronicle; “it’s impossible not to like it” – The Salt Lake Tribune. Now, Keen is honored to bring this big-hearted new play to New York for the first time.

Performances for this limited Off-Broadway engagement of Surely Goodness and Mercy will continue through Saturday, April 13th only, with opening night set for Wednesday, March 13th.

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