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The Fire This Time Festival 2013

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Over the last four years, The Fire This Time (FTT), an ever-growing festival, has lit up the East Village and set it ablaze. Founded by Kelly Nicole Girod, FTT has taken on the call to seize the torch and provide a platform for emerging playwrights of color to represent the voices of their generation. Each year, 6–7 playwrights of African and African-American descent are chosen to write ten-minute plays. “Our motto is that any play written by a black playwright is a black expression, even if it’s a play about two white people in love.” –Kelly Nicole Girod

This two-week festival, produced by the Horse Trade Theater Group, is compiled of stage readings, seminars, and the fully staged showcase of ten-minute plays. The festival kicked off on January 24th with an excellent panel discussion on Submitting, Self-Producing & Other Survival Skills for Artists, moderated by Co-Executive Producer of the festival, Kevin R. Free.

This year’s lineup of plays covered an array of topics, and after just one two-hour sitting, you feel a litany of emotions, leaving you quite satisfied. Even better is the opportunity to support phenomenal actors from the indie community. This past weekend, I witnessed a woman bond on stage with her unborn child, delved into Steve Urkel’s sex life, and grew anxious as I watched a Sudanese family in trouble, just to name a few. In the midst of this daunting New York City winter, take a seat at the Kraine Theater let The Fire This Time Festival engulf you in its warmth. Now running until February 2nd!

Take a look at what’s in store for you:

Nightfall By Cynthia G. Robinson directed by Cezar Williams- A Sudanese couple is forced to confront the mayhem that haunts their village and threatens to destroy their family.

Always By Danielle T. Davenport, Directed by Awoye Timpo- When Malik shows up at a reading of his childhood best friend Erica’s celebrated new novel after over a decade of distance between them, sparks fly as they navigate an emotional minefield of shared history summoned up by the book’s plot.

Poor Posturing By Tracey Conyer Lee, Directed by Kevin R. Free- Can’t we all just get along? Maybe, if we stop trying so hard.

Orchids and Polka Dots By Nathan Yungerberg, Directed By Nicco Annan- 1955: An emotionally stifled housewife, a fledgling young research scientist and a tall glass of water infused with 100 gamma of LSD.

Within Untainted Wombs By Dennis A. Allen II, Directed by Christopher Burris- An expecting mother participates in a clinical trial that gives her the ability to communicate with her unborn child, but she soon finds that some thoughts are better left unshared.

Favored Nations By J. Holtham, Directed by Nicole A. Watson- In an upscale office, two brothers meet for the last time to settle their father’s will. Secrets are revealed, grudges are settled, and teddy bears are threatened with execution. Family…can’t live with ’em.

The Sad, Secret (Sex) Life of Steve Urkel By Eric Lockley, Directed by Jonathan McCrory- Sometimes experiments go terribly wrong. For every action there is an equal and opposite reaction . . . in bed.

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Events and Happenings

Erika Dickerson-Despenza Addresses Flint Water Crisis with Cullud Wattah

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Playwright Erika Dickerson-Despenza

There is limited seating left for Erika Dickerson-Despenza’s new play CULLUD WATTAH at The Public Theater. Opening today, Thursday, March 7th and running until Sunday, March 10th in the Public Studio is about three generations of Black women living through the current water crisis in Flint, Michigan.

“It’s been 936 days since Marion’s family has had clean water. When local activists file a class action lawsuit against the city, Marion—a third-generation employee at General Motors—must decide how best to support her two daughters, sister, and mother while lead seeps into the community, their home, and their bodies. As corrosive memories and secrets rise among them, the family wonders if they’ll ever be able to filter out the truth.”

2018 Relentless Award Semifinalist and poet-playwright makes her Public Theater debut with CULLUD WATTAH directed by Lilly Award winner Candis C. Jones; the cast includes Deonna Bouye (Marion), Alana Raquel Bowers (Reesee), Caroline Stefanie Clay (Big Ma), Nikiya Mathis (Ainee), and Kara Young (Plum).

The creative team includes Production Stage Manager Gregory Fletcher, Stage Manager Priscilla Villanueva, and Movement Director Adesola Osakalumi. Along with scenic design by Arnulfo Maldonado, Costume Design by Ntokozo Fuzunina Kunene, lighting Design by Jeanette Oi-Suk Yew, and sound design by Megan Culley

We believe in this work so much we’re giving away 4 tickets to the performances on March 10th. 2 tickets to the matinee and two the evening performance thanks to our founder Drew Shade and actress/playwright Jocelyn Bioh. Go to our Instagram to find out how!

Also, find out more about how you can help the Flint Water Crisis and support this show HERE.

Listen to Erika talk about her work on an episode of Off Book Podcast below

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Events and Happenings

Surely Goodness and Mercy by Chisa Hutchinson Begins Off-Broadway

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Performances begin today, Tuesday February 26th, for the New York premiere of  Surely Goodness and Mercy, presented by Keen Company. A story about an exceptional boy living a troubled life in Newark, NJ who does a good deed for an often unnoticed person.   Sarita Covington, Jay Mazyck, Brenda Pressley, Courtney Thomas, and Cezar Williams star under Jessi D. Hill’s direction.

Set in an under-funded public school in Newark, Surely Goodness and Mercy by rising playwright Chisa Hutchinson, tells the story of a bible-toting boy with a photographic memory who befriends the cantankerous old lunch lady. Against all odds, Tino and Bernadette help each other through the mess of growing up and growing old.  

Surely Goodness and Mercy has spent the last year charming audiences across the country: “Notably absent from Hutchinson’s frank and sobering story: cynicism” – Chicago Reader; “(Surely Goodness and Mercy has) a soul-stirring quality, touching audiences with its sincerity” – Daily Utah Chronicle; “it’s impossible not to like it” – The Salt Lake Tribune. Now, Keen is honored to bring this big-hearted new play to New York for the first time.

Performances for this limited Off-Broadway engagement of Surely Goodness and Mercy will continue through Saturday, April 13th only, with opening night set for Wednesday, March 13th.

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