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The August Wilson Center Is Staying Afloat

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Famed playwright August Wilson , a native of Pittsburgh, Pennsylvania lived from April 1945 to October 2005. He left behind, not only a legacy of progress, but changed the way Black theatre was being presented.  As a youth, Wilson’s mother wanted him to attend law school but he opted for the army instead.  After a one year stint in the armed forces Wilson left and worked odd jobs to support himself. With no formal education he embarked on the journey of becoming a writer, starting with poetry and then moving into plays. His career spanned multiple decades and he changed theatre performance all across the nation. In 1987 and 1990 he won the Pulitzer prize for drama for Fences and The Piano Lesson, respectively. Fences also took home the Tony Award for Best Play in that year.

One of August Wilson ‘s  greatest contributions is the “Century (or Pittsburgh) Cycle”. Wilson gave us plays that not only span a generation of African American experience but spoke in the vernacular of the blacks of the era in which each play was set. He is known to cite the 4B’s as his inspiration: the playwright Amiri Baraka, the painter Romare Bearden, the poet Jorge Luis Borges, and, of course, Blues music.

Once when August Wilson was asked about his writing process he had this to say:

“I once wrote this short story called ‘The Best Blues Singer in the World,’ and it went like this— “The streets that Balboa walked were his own private ocean, and Balboa was drowning.” End of story. That says it all. Nothing else to say. I’ve been rewriting that same story over and over again. All my plays are rewriting that same story.”

The August Wilson Center for African American Culture opened in 2009 in Pittsburgh.  The center was created to make a space for African American cultural exhibitions in the city’s downtown area.  The space featured multiple performance areas, gallery, cafe, book shop, and many more places dedicated to bolstering the African American dialogue in the present culture. Unfortunately, the center has had a hard time financially.  They officially filed a federal bankruptcy and were purchased by Dollar bank in November of 2014.  Dollar Bank then sold the space to a consortium non-profit organizations with a price tag of $7.9 million.  These agencies hope to preserve the legacy of this center and allow them to continue to not only do good works, but be a presence in the community.

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Award Nominations

Cynthia Erivo Nominated for BAFTA’s Rising Star Award

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Cynthia Erivo at Opening Night of the Color Purple. Photo by Drew Shade

Tony, Emmy, and Grammy Award-winning actress, Cynthia Erivo, known for her transformative performance as Celie in the 2015 Broadway revival of The Color Purple is now one of five actors nominated for the British Academy of Film’s 2019 Rising Star Awards.

Most recently seen alongside Viola Davis in Steve McQueen’s Widows, Erivo says:

“I’m ever grateful to BAFTA and the jury panel for nominating me for the 2019 EE Rising Star Award. It means the world to me to be acknowledged by the community that, for most of my life, I’ve known as home. Thank you for this incredible honour.” – Cynthia Erivo

The BAFTA Awards will take place on February 10th.

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Get Your War Clothes On: Billy Porter Energizes in GLAAD Acceptance Speech

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billy porter

So, I have a question.

In the same line of thought as “innocent until proven guilty,” do we grant the assumption of positive intent in our expectations of our brothers and sister in regards to woke-ness, à la woke until proven problematic?

Now don’t get me wrong, there was no doubt in my heart that Tony and Grammy Award-winner, Billy Porter, was woke. Nope, none. What I wasn’t ready for, was the way he fixed his fingers to pen one of the greatest acceptance speeches of my lifetime, and how he turned the Gospel classic “I Don’t Feel No Ways Tired” into a battle song.

The 28th Annual GLAAD Media Awards honored Billy Porter with the Vito Russo Award, presented to an openly LGBTQ media professional who has made a significant difference in promoting equality and acceptance.

He started by affirming the room full of members of marginalized communities, with my personal daily mantra: “You are enough. we are enough.”

Since the beginning of time artists are the folks who engage critically and encourage those who think they are powerless to question the status quo.

Brothers and sisters across the room leaned in.

The days of shut up and sing are over.

Alliteration informed and illustrated as Porter preached on remaining “vigilantly visual” as we tell our stories. Acknowledging the reality of our times, he spoke on Number 45:

Where they slipped up this time is in that declaration of war. It’s not only against Black and Brown people and Queer people anymore, it’s against ALL of us. And as a result, the good news is: white folk, and straight folk, and all those fierce women folk, are mad now. And NOW maybe something might get done!

Get. Your. War. Clothes. On.

From slavery to emancipation, to the 13th Amendment, to Jim Crow, to the Civil Rights Movement. From Stonewall to AIDS, to marriage equality— we gotta remember the shoulders who we stand on—the ones who fought and died for those freedoms that we hold so dear. Let’s use these historical strides we’ve made as a nation to empower us as warriors on this battlefield of equality.

Amen.

Until we can figure out how to love one another unconditionally, no one wins. Freedom. Equality. Justice. Have always come at a cost and evidently the always will.

If that’s not the truth.

Stay strong. Stay vigilante. Stay visible. Stay hopeful. Stay focused. Be brave. Be fierce.

Resist.

RESIST.

RESIST.

RESIST.

For a full list of this year’s winners, honorees, and guests, visit GLAAD.

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