Events and Happenings
Iconic Entertainer Gregory Hines Honored With a Black Heritage Series Stamp
The U.S. Postal Service honored iconic entertainer Gregory Hines with a Black Heritage Series stamp in a ceremony on January 28th. As the 42nd entry in the series, the stamp featuring a 1988 photo of a smiling Hines is now available at Post Offices and usps.com.
At the ceremony Tony Award winner Savion Glover talked about the role Hines played in elevating tap into an art form and the value of his work. Joining him in the celebration were Maurice Hines, actor, dancer, choreographer, and Hines’ brother; Daria Hines, actress, costume designer, and Hines’ daughter; dancers Chloe and Maud Arnold; Tony Waag, the American Tap Dance Foundation’s artistic director, and tap dancer Jason Samuels Smith.
“I don’t exist without this man,” said Glover, “These young people that you see, they aren’t born without this. We are not here today without this.”
The Chief Postal Inspector, Gary Barksdale, who led the ceremony, said “Gregory Hines was an extraordinary artist in every sense of the word. This Forever stamp pays tribute to his life and career as an actor, singer and most importantly, as a performer whose unique style of tap dancing injected new artistry and excitement into a traditional American form.”
Gregory Hines’ Broadway credits include Eubie!, Sophisticated Ladies, & Comin’ Uptown, all of which garnered him Tony Award nominations. He became a Tony Award winner for his starring role in “Jelly’s Last Jam” in 1992. In 2003 he passed away at 57 years old from cancer.
Playwright Erika Dickerson-Despenza
There is limited seating left for Erika Dickerson-Despenza’s new play CULLUD WATTAH at The Public Theater. Opening today, Thursday, March 7th and running until Sunday, March 10th in the Public Studio is about three generations of Black women living through the current water crisis in Flint, Michigan.
“It’s been 936 days since Marion’s family has had clean water. When local activists file a class action lawsuit against the city, Marion—a third-generation employee at General Motors—must decide how best to support her two daughters, sister, and mother while lead seeps into the community, their home, and their bodies. As corrosive memories and secrets rise among them, the family wonders if they’ll ever be able to filter out the truth.”
2018 Relentless Award Semifinalist and poet-playwright makes her Public Theater debut with CULLUD WATTAH directed by Lilly Award winner Candis C. Jones; the cast includes Deonna Bouye (Marion), Alana Raquel Bowers (Reesee), Caroline Stefanie Clay (Big Ma), Nikiya Mathis (Ainee), and Kara Young (Plum).
The creative team includes Production Stage Manager Gregory Fletcher, Stage Manager Priscilla Villanueva, and Movement Director Adesola Osakalumi. Along with scenic design by Arnulfo Maldonado, Costume Design by Ntokozo Fuzunina Kunene, lighting Design by Jeanette Oi-Suk Yew, and sound design by Megan Culley
We believe in this work so much we’re giving away 4 tickets to the performances on March 10th. 2 tickets to the matinee and two the evening performance thanks to our founder Drew Shade and actress/playwright Jocelyn Bioh. Go to our Instagram to find out how!
Also, find out more about how you can help the Flint Water Crisis and support this show HERE.
Listen to Erika talk about her work on an episode of Off Book Podcast below
Performances begin today, Tuesday February 26th, for the New York premiere of Surely Goodness and Mercy, presented by Keen Company. A story about an exceptional boy living a troubled life in Newark, NJ who does a good deed for an often unnoticed person. Sarita Covington, Jay Mazyck, Brenda Pressley, Courtney Thomas, and Cezar Williams star under Jessi D. Hill’s direction.
Set in an under-funded public school in Newark, Surely Goodness and Mercy by rising playwright Chisa Hutchinson, tells the story of a bible-toting boy with a photographic memory who befriends the cantankerous old lunch lady. Against all odds, Tino and Bernadette help each other through the mess of growing up and growing old.
Surely Goodness and Mercy has spent the last year charming audiences across the country: “Notably absent from Hutchinson’s frank and sobering story: cynicism” – Chicago Reader; “(Surely Goodness and Mercy has) a soul-stirring quality, touching audiences with its sincerity” – Daily Utah Chronicle; “it’s impossible not to like it” – The Salt Lake Tribune. Now, Keen is honored to bring this big-hearted new play to New York for the first time.
Performances for this limited Off-Broadway engagement of Surely Goodness and Mercy will continue through Saturday, April 13th only, with opening night set for Wednesday, March 13th.