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"From left, Shaila Essley, 1st place winner, Philip Patrick Bucknor, 2nd place winner and Wayne R. Mackins-Harris, 3rd place winner accept their awards on stage during the August Wilson Monologue Competition Los Angeles Regional Finals at Center Theatre Group/Mark Taper Forum on March 2, 2015, in Los Angeles, California. (Photo by Ryan Miller/Capture Imaging) " "From left, Shaila Essley, 1st place winner, Philip Patrick Bucknor, 2nd place winner and Wayne R. Mackins-Harris, 3rd place winner accept their awards on stage during the August Wilson Monologue Competition Los Angeles Regional Finals at Center Theatre Group/Mark Taper Forum on March 2, 2015, in Los Angeles, California. (Photo by Ryan Miller/Capture Imaging) "

Events and Happenings

The 7th Annual August Wilson Monologue Competition

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Its that time again. The 7th Annual August Wilson Monologue Competition. It seems like just yesterday we were listening to Denzel talk and inspire the young adults in the 6th annual competition. Well actually we were just watching the video from that a few days ago but we digress. Its glad to see that it’s continuing to go strong and encourage the high school students to not only go to college with the scholarships it offers the winners but the chance to learn about how extraordinary the legacy of August Wilson is.

August Wilson’s Century Cycle is an achievement in American theatre. Each of the ten plays are set in a different decade of the twentieth century. At the core of each work are soaring, lyrical monologues that take the song, laughter, pain, and rich content of African American life and place it in the mouths of a great and varied ensemble of characters.
The National August Wilson Monologue Competition presented in collaboration between True Colors Theatre Company and Jujamcyn Theaters.

Founded in 2007, the Annual August Wilson Monologue Competition aims to expose a new generation of creative minds to the life’s work and artistic legacy of this seminal American playwright. Program participants in cities across the country encounter Wilson’s ten-play cycle and receive coaching from teaching artists as they prepare their monologues for local, city-wide and national competitions.

The competition is open to high school students from participating cities. The winners at the regional level will travel to the August Wilson Theatre on Broadway to participate in a weekend devoted to Wilson, exploring Broadway and New York City, and the final round of the competition.

Students will perform a two to three minute monologue from any of the plays in August Wilson’s Century Cycle. The panel of judges will be comprised of theatre professionals from their respective communities.

First, second and third place receive scholarships in the amount of $1500, $1000, $500, respectively. All finalists will receive a hardbound anthology of all ten of August Wilson’s plays.

All of this greatness is actually open and free to the public. You get the chance to support an amazing scholarship competition, be reminded of some great Wilson work, and be inspired in your own artistry on top of that, FOR FREE! Will we see you there?

Find Out More! Visit the monologue competition website by clicking the link below!

AUGUST WILSON MONOLOGUE COMPETITION

When: May 4, 2015 · 7:00pm
Where: August Wilson Theatre
245 West 52nd Street, NY, NY

 

Founder/Editor-In-Chief of BroadwayBlack.com | Actor | Artist | 1/3 of @OffBookPodcast | Theatre connoisseur | All Audra Everything | Caroline over Change | I'm Not Charl Brown | Norm Lewis is my play cousin | Producing an all-black production of Mame starring Jenifer Lewis in my head

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Events and Happenings

Erika Dickerson-Despenza Addresses Flint Water Crisis with Cullud Wattah

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Playwright Erika Dickerson-Despenza

There is limited seating left for Erika Dickerson-Despenza’s new play CULLUD WATTAH at The Public Theater. Opening today, Thursday, March 7th and running until Sunday, March 10th in the Public Studio is about three generations of Black women living through the current water crisis in Flint, Michigan.

“It’s been 936 days since Marion’s family has had clean water. When local activists file a class action lawsuit against the city, Marion—a third-generation employee at General Motors—must decide how best to support her two daughters, sister, and mother while lead seeps into the community, their home, and their bodies. As corrosive memories and secrets rise among them, the family wonders if they’ll ever be able to filter out the truth.”

2018 Relentless Award Semifinalist and poet-playwright makes her Public Theater debut with CULLUD WATTAH directed by Lilly Award winner Candis C. Jones; the cast includes Deonna Bouye (Marion), Alana Raquel Bowers (Reesee), Caroline Stefanie Clay (Big Ma), Nikiya Mathis (Ainee), and Kara Young (Plum).

The creative team includes Production Stage Manager Gregory Fletcher, Stage Manager Priscilla Villanueva, and Movement Director Adesola Osakalumi. Along with scenic design by Arnulfo Maldonado, Costume Design by Ntokozo Fuzunina Kunene, lighting Design by Jeanette Oi-Suk Yew, and sound design by Megan Culley

We believe in this work so much we’re giving away 4 tickets to the performances on March 10th. 2 tickets to the matinee and two the evening performance thanks to our founder Drew Shade and actress/playwright Jocelyn Bioh. Go to our Instagram to find out how!

Also, find out more about how you can help the Flint Water Crisis and support this show HERE.

Listen to Erika talk about her work on an episode of Off Book Podcast below

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Events and Happenings

Surely Goodness and Mercy by Chisa Hutchinson Begins Off-Broadway

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Performances begin today, Tuesday February 26th, for the New York premiere of  Surely Goodness and Mercy, presented by Keen Company. A story about an exceptional boy living a troubled life in Newark, NJ who does a good deed for an often unnoticed person.   Sarita Covington, Jay Mazyck, Brenda Pressley, Courtney Thomas, and Cezar Williams star under Jessi D. Hill’s direction.

Set in an under-funded public school in Newark, Surely Goodness and Mercy by rising playwright Chisa Hutchinson, tells the story of a bible-toting boy with a photographic memory who befriends the cantankerous old lunch lady. Against all odds, Tino and Bernadette help each other through the mess of growing up and growing old.  

Surely Goodness and Mercy has spent the last year charming audiences across the country: “Notably absent from Hutchinson’s frank and sobering story: cynicism” – Chicago Reader; “(Surely Goodness and Mercy has) a soul-stirring quality, touching audiences with its sincerity” – Daily Utah Chronicle; “it’s impossible not to like it” – The Salt Lake Tribune. Now, Keen is honored to bring this big-hearted new play to New York for the first time.

Performances for this limited Off-Broadway engagement of Surely Goodness and Mercy will continue through Saturday, April 13th only, with opening night set for Wednesday, March 13th.

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