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We Were There: One Night In Miami

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What happens when four notable Black figures of the 60s get together in one hotel room, one fateful night in Miami? In order to find out, you’ll need to get yourself to the Rogue Machine Theatre production of Kemp Powers’ One Night in Miami, at Theatre Theater in Los Angeles, California.

One Night in Miami “imagines what might have transpired” on the fateful night of February 25th, 1964 after “a loudmouth, 22-year-old fighter named Cassius Clay was finally supposed to have his bragging stopped by fearsome heavyweight champ Sonny Liston.” As we now know, that didn’t happen and Clay went on to claim his victory over Liston. No celebration was planned since no one expected Clay to defeat Liston…no one except his three buddies, human rights activist Malcolm X, NFL champion Jim Brown, and recording artist Sam Cooke. “The foursome threw together a party in Malcolm’s tiny hotel room” in Miami’s rundown Black ghetto Overtown, and “on this night, the possibilities seemed endless.”

With the civil rights struggle “ready to boil over,” and an audience with the knowledge that in under a year two of these four friends would be dead, the play begins.

The show runs for 90 minutes with no intermission, and it never lets up and never disappoints. With beyond solid performances from the cast, a powerful script, wonderful direction, and an amazing set, it was an honor to witness One Night in Miami.

Kevin Daniels (Broadway’s ‘Magic/Bird’, ‘Modern Family’) was funny, intimidating, and utterly believable as Jim Brown. Jason E. Kelley’s (“Grey’s Anatomy’, ‘True Blood’) ‘Brother Kareem’ was the perfect mix of badass, menace, and jerk. Jah Shams’ (‘The Emperor’s Last Performance’) ‘Brother Jamaal’ brought a necessary balance of quirky, off-the-wall bouncing energy to the show. Jason Delane (Matrix Theatre production of ‘Stick Fly,’ ‘Drowning Crow’ [Chicago], ‘Criminal Minds’) as Malcolm, Matt Jones (‘Intimate Apparel,’ African-American Shakespeare Company production of ‘Twelfth Night’) as Cassius, and Ty Jones (Broadway/Off-Broadway in ‘ENRON,’ ‘The Blacks’ [OBIE Award]; ‘Julius Caesar’) as Sam were equally masterful and believable in their performances. Each actor participated in lending a quality to the show that embodied the tension of the era, the electricity-like buzz of the night, and the playful (and sometimes not so playful) relationship between the men.

Carl Cofield’s (Classical Theatre of Harlem, Manhattan Theatre Club, Arena Stage) direction was spot on; a great balance of honed comedic moments, palpable dramatic tension, and gut-wrenching foreshadowing (though that was mostly due to a brilliant script).

The chemistry in One Night in Miami was some of best I’ve seen on stage in a long time. Kudos to the casting director(s) responsible for putting together this cast. Not a weak link in the bunch.

As I hung around the theater to meet the cast and applaud them personally before heading home, I heard whispers of a POSSIBLE attempt at mounting a NY production of the show! So maybe we’ll see Cassius, Malcolm, Jim, Sam, Brother Kareem, and Brother Jamaal on The Great White Way at some point! The show is definitely worthy of a Broadway run.

The Rogue Machine Theatre production of One Night in Miami is NOW PLAYING (Fridays & Saturdays at 8pm, and Sundays at 3pm) at Theatre Theatre (5041 W. Pico Blvd. Los Angeles, California 90019) through July 28th.

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Events and Happenings

Erika Dickerson-Despenza Addresses Flint Water Crisis with Cullud Wattah

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Playwright Erika Dickerson-Despenza

There is limited seating left for Erika Dickerson-Despenza’s new play CULLUD WATTAH at The Public Theater. Opening today, Thursday, March 7th and running until Sunday, March 10th in the Public Studio is about three generations of Black women living through the current water crisis in Flint, Michigan.

“It’s been 936 days since Marion’s family has had clean water. When local activists file a class action lawsuit against the city, Marion—a third-generation employee at General Motors—must decide how best to support her two daughters, sister, and mother while lead seeps into the community, their home, and their bodies. As corrosive memories and secrets rise among them, the family wonders if they’ll ever be able to filter out the truth.”

2018 Relentless Award Semifinalist and poet-playwright makes her Public Theater debut with CULLUD WATTAH directed by Lilly Award winner Candis C. Jones; the cast includes Deonna Bouye (Marion), Alana Raquel Bowers (Reesee), Caroline Stefanie Clay (Big Ma), Nikiya Mathis (Ainee), and Kara Young (Plum).

The creative team includes Production Stage Manager Gregory Fletcher, Stage Manager Priscilla Villanueva, and Movement Director Adesola Osakalumi. Along with scenic design by Arnulfo Maldonado, Costume Design by Ntokozo Fuzunina Kunene, lighting Design by Jeanette Oi-Suk Yew, and sound design by Megan Culley

We believe in this work so much we’re giving away 4 tickets to the performances on March 10th. 2 tickets to the matinee and two the evening performance thanks to our founder Drew Shade and actress/playwright Jocelyn Bioh. Go to our Instagram to find out how!

Also, find out more about how you can help the Flint Water Crisis and support this show HERE.

Listen to Erika talk about her work on an episode of Off Book Podcast below

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Events and Happenings

Surely Goodness and Mercy by Chisa Hutchinson Begins Off-Broadway

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Performances begin today, Tuesday February 26th, for the New York premiere of  Surely Goodness and Mercy, presented by Keen Company. A story about an exceptional boy living a troubled life in Newark, NJ who does a good deed for an often unnoticed person.   Sarita Covington, Jay Mazyck, Brenda Pressley, Courtney Thomas, and Cezar Williams star under Jessi D. Hill’s direction.

Set in an under-funded public school in Newark, Surely Goodness and Mercy by rising playwright Chisa Hutchinson, tells the story of a bible-toting boy with a photographic memory who befriends the cantankerous old lunch lady. Against all odds, Tino and Bernadette help each other through the mess of growing up and growing old.  

Surely Goodness and Mercy has spent the last year charming audiences across the country: “Notably absent from Hutchinson’s frank and sobering story: cynicism” – Chicago Reader; “(Surely Goodness and Mercy has) a soul-stirring quality, touching audiences with its sincerity” – Daily Utah Chronicle; “it’s impossible not to like it” – The Salt Lake Tribune. Now, Keen is honored to bring this big-hearted new play to New York for the first time.

Performances for this limited Off-Broadway engagement of Surely Goodness and Mercy will continue through Saturday, April 13th only, with opening night set for Wednesday, March 13th.

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