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Taye Diggs Gives Poetic Insight Into Effects of Police Brutality On The Black Family

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Late last night Broadway actor and heartthrob, Taye Diggs, took to the internet to post a poem on the effects of police brutality on the Black family. The poem is from a young black boy’s point of view and gives incredibly heartbreaking insight into a serious matter currently taking place within our country. In the poem, the young child is confused and can’t quite understand what is happening as his parents seem to be upset and angered by what is taking place on the television in their living room. The boy asks, “what is this tv show.”

 

Im finished brushing my teeth I’m coming down the stairs I’m ready for my bedtime story Does anybody care —————————————— I’m standing in my P. J.s My bunny slippers on But Ma and Pa are watching tv I think something’s wrong ——————————————- Why is mommy crying Pa She’s pointing at the screen It’s like she knows them people People I never seen ——————————————– And why does daddy look so mad Mommy do you know He keeps on rubbing the side of his head And walking to and fro ——————————————- What is this tv show —————————————– And now I start to feel real weird My insides getting heavy I yell at mommy one more time Daddy Are you forgetting —————————————- Mama slowly turns to me Her face fighting the tear She cut the tv off right quick She kneels and pulls me near Why is daddy leaving the room Why did he slam the door Mommy searches for her words In the matted carpeted floor —————————————- Honey something very bad happened We didn’t want you to see But we just saw a man get shot Right on our colored tv ————————————- Why would someone shoot that man You both said guns were not good Did the man steal or rob someone Was he not doing what he should ————————————— Then I feel my mama’s anger The straight stiff of her back No she hissed through her teeth Police shot him cuz he was black —————————————- I tilt my head with question As Daddy enters still blue But my skins dark just like the Man’s Does that mean I’ll die too? —————————————– Ma and pa stare at each other Blank scared looks on the front of their heads Neither of them could say a word As I imagine myself……. Dead.

A photo posted by Taye Diggs (@tayediggsinsta) on

 

What makes this poem so gut-wrenching is the reality of the situation. This poem is currently taking place in thousands of Black homes across America. This isn’t some imagined scenario. Turning on the television and seeing ourselves murdered by people who swore to protect us is scary enough as adults, but we have children and those children have questions. It becomes incredibly challenging trying to explain why a person was killed when your child asks, “Why would someone shoot the man? You both said guns were not good. Did the man steal or rob someone? Was he not doing what he should?” Children don’t understand words like “profiling” or terms like “systematic racism.” All they understand is good or bad, right or wrong. Their innocence does not allow their impressionable minds to see behind whatever farce is presented.

Diggs’ poem also captures the frustration Black parents feel when searching for the right words to use when answering these questions. “Why is daddy leaving the room, why did he slam the door? Mommy searches for her words in the matted carpeted floor. Honey something very bad happened. We didn’t want you to see, but we just saw a man get shot on tv.” There is a certain anger that forms within a Black parent when we are forced to introduce these types of things to our children’s psyche. Having to ruin what is supposed to be a stressless, carefree time in a person’s life with cruel realities inspire bitterness, resentment, pain, sorrow and ultimately hurt. At the risk of sounding elementary- It just isn’t fair.

We applaud Taye for being able to capture what so many of us are feeling as parents and for bringing that innocent pain of our children to the forefront to be confronted and discussed.

(If your comments mention Diggs having been previously married to a white woman or being the father of a bi-racial son, you will have proven you’ve missed the point and are as simple as you are making this issue. So…don’t.)

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Get Your War Clothes On: Billy Porter Energizes in GLAAD Acceptance Speech

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So, I have a question.

In the same line of thought as “innocent until proven guilty,” do we grant the assumption of positive intent in our expectations of our brothers and sister in regards to woke-ness, à la woke until proven problematic?

Now don’t get me wrong, there was no doubt in my heart that Tony and Grammy Award-winner, Billy Porter, was woke. Nope, none. What I wasn’t ready for, was the way he fixed his fingers to pen one of the greatest acceptance speeches of my lifetime, and how he turned the Gospel classic “I Don’t Feel No Ways Tired” into a battle song.

The 28th Annual GLAAD Media Awards honored Billy Porter with the Vito Russo Award, presented to an openly LGBTQ media professional who has made a significant difference in promoting equality and acceptance.

He started by affirming the room full of members of marginalized communities, with my personal daily mantra: “You are enough. we are enough.”

Since the beginning of time artists are the folks who engage critically and encourage those who think they are powerless to question the status quo.

Brothers and sisters across the room leaned in.

The days of shut up and sing are over.

Alliteration informed and illustrated as Porter preached on remaining “vigilantly visual” as we tell our stories. Acknowledging the reality of our times, he spoke on Number 45:

Where they slipped up this time is in that declaration of war. It’s not only against Black and Brown people and Queer people anymore, it’s against ALL of us. And as a result, the good news is: white folk, and straight folk, and all those fierce women folk, are mad now. And NOW maybe something might get done!

Get. Your. War. Clothes. On.

From slavery to emancipation, to the 13th Amendment, to Jim Crow, to the Civil Rights Movement. From Stonewall to AIDS, to marriage equality— we gotta remember the shoulders who we stand on—the ones who fought and died for those freedoms that we hold so dear. Let’s use these historical strides we’ve made as a nation to empower us as warriors on this battlefield of equality.

Amen.

Until we can figure out how to love one another unconditionally, no one wins. Freedom. Equality. Justice. Have always come at a cost and evidently the always will.

If that’s not the truth.

Stay strong. Stay vigilante. Stay visible. Stay hopeful. Stay focused. Be brave. Be fierce.

Resist.

RESIST.

RESIST.

RESIST.

For a full list of this year’s winners, honorees, and guests, visit GLAAD.

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How Do We Feel

Jazmine Sullivan: The Next Singer-Songwriter To Write A Broadway Musical?

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We recently caught up with Jazmine Sullivan at The HeLa Project, a multimedia exhibition inspired by the HBO film, The Immortal Life of Henrietta Lacks.

Like the rest of us, Jazmine is in awe of the under-told story of Henrietta Lacks and her instrumental role in modern medicine. We further asked about why she got involved with the project and she said: “Anyway I can give light to an extraordinary woman like that, I’m there.”

Some of the integral women in bringing this story to light have their roots in Broadway: Tony Award-winning producer Oprah Winfrey, who not only stars in the film, but also credited as executive producer, and Tony Award winner Renée Elise Goldsberry, who portrays the title character.

We wouldn’t be Broadway Black if we didn’t keep it real.

Let’s be honest, we can’t get enough of 11-year-old Jazmine singing “Home” like she wrote the piece, so we got to asking, and it turns out Jazmine wouldn’t mind putting her pen to paper to create a musical for the Broadway stage.

She said performing on Broadway isn’t in the plans for the near future but, “You never know! I love writing and creating characters!”

God!? Oprah!?!? Stephen Byrd & Alia Jones-Harvey?!?! Who’s going to snatch this up?

Until then, it sounds like we have some new music to expect. What kind of musical would you like to see from Ms. Sullivan? Sound off below in the comments!

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Twitter: @BroadwayBlack

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