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Broadway Bound

John Legend and T.I. Drop Tracks for SpongeBob The Musical

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The world of Bikini Bottom is Broadway bound! If you have been searching for a musical that will captivate your tiny tots, then SpongeBob the Musical is sure to delight! But this show seems to be lining up to be a bit more than just the lovable aquatic sponge tripping through show tunes. SpongeBob the Musical has already landed an impressive array of songwriters with genres spanning from rock, country and hip hop. Among others, John Legend and rapper T.I. have signed on to contribute at least one song to the production.

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‘The SpongeBob Musical’ is heading to Broadway with music from @JohnLegend and @Tip. http://t.co/lS3DYmTghz

One fan had an excellent suggestion for who else might make a great addition.

Tweets with replies by Lindsay Hennessy (@LindsayyAnn22) | Twitter

The latest Tweets and replies from Lindsay Hennessy (@LindsayyAnn22). The flower that blooms in adversity is the most rare & beautiful of all

According to a news release, the show’s producer, Nickelodeon says,

The end is near. Only one sponge can save the day. But he’s going to need help from some of the greatest songwriters in rock and pop music history. The SpongeBob Musical is a rousing tale of a simple sea sponge who faces the unfathomable. It’s a celebration of unbridled hope, unexpected heroes, and pure theatrical invention.

While casting hasn’t been announced yet, we can only imagine the talent that would sign on to bring these crabby patty-loving characters to the stage. The production is slated to be directed by Tina Landau with Pulitzer winner Tom Kitt serving as musical supervisor. According to the enthused Landau,

I was drawn to this project not only for its wild theatrical possibility, but also because I felt SpongeBob, at its core, is a layered and hilarious ensemble comedy. SpongeBob himself is of course its center and beating heart–the eternal innocent in a sea of cynics. He’s also the classic underdog hero, and so our production sets him on a hero’s journey with real stakes, all the while retaining the show’s trippy humor and irreverence. We’re taking our leads from the TV show but this is an original story, with an original design approach, and original songs written just for the occasion by an amazing array of songwriters. We will present the world of Bikini Bottom and its characters in a whole new way that can only be achieved in the live medium of the theatre. We’re bringing the show’s fabled characters to life through actors—not prosthetics or costumes that hide them—and we’re deploying some unconventional stage craft that will prove that anything can happen in Bikini Bottom.

The show will first premiere in Chicago at the Oriental Theatre in the summer of 2016 prior to a New York opening during the 2016-17 Broadway season.

Nicole "Blackberri" Johnson is a freelance writer, stage/ film actress, activist and entrepreneur. Mom of three. Blackberri is also a notorious cape thief and unapologetic bacon lover. Follow on twitter @Blackberri

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Broadway Bound

Jeremy O. Harris’ Slave Play Will Transfer To Broadway & Put Him in the History Books

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Jeremy O. Harris photo by Jenny Anderson via NYTW
Jeremy O. Harris photo by Jenny Anderson (via NYTW)

Slave Play by Jeremy O. Harris will transfer to Broadway making the 30-year-old playwright the youngest black man in history to have a play produced on Broadway and only the sixth Black writer to have a new play on Broadway in the last decade.

A recent graduate of the Yale School of Drama, Harris wrote Slave Play his first semester in the graduate playwriting program there. New York Theatre Workshop produced the world premiere in 2018 that lead to controversy and critical acclaim from those who had and hadn’t seen it.

Producers Greg NobileJana Shea, Troy CarterLevel Forward and Nine Stories Productions announced the play will transfer to the Golden Theatre this fall.

The limited 17-week engagement beginning performance previews September 10th with an official opening scheduled for October 6th. Robert O’Hara will reprise his role as director with casting for the Broadway run announced at a later date.

The Old South lives on at the MacGregor Plantation — in the breeze, in the cotton fields…and in the crack of the whip. It’s an antebellum fever-dream, where fear and desire entwine in the looming shadow of the Master’s House. Jim trembles as Kaneisha handles melons in the cottage, Alana perspires in time with the plucking of Phillip’s fiddle in the boudoir, while Dustin cowers at the heel of Gary’s big, black boot in the barn. Nothing is as it seems, and yet everything is as it seems.

You can currently read the published play in the July/August issue of American Theatre Magazine

The creative team for the production includes Clint Ramos (scenic design), Dede Ayite (costume design),  Jiyoun Chang (lighting design), Lindsay Jones (sound design and original music), Byron Easley (movement), Claire Warden (intimacy and fight director), Doug Nevin (production counsel), and Taylor Williams (casting director). Mark Shacket serves as Executive Producer.

Harris said, “During my very short time being a professional writer, the world I thought I’d inhabit was one at odds with a commercial theatrical landscape; so to see that this play, Slave Play, that interrogates the traumas Americans have inherited from the legacy of chattel slavery and colonization has a place in the canon of work that has made its way to the Great White Way is both exhilarating and humbling. It also articulates that the leaps the community made in the past Broadway season might not have been a fad but the beginning of a new moment for the theatre to once again attempt to represent discursive American theatrical expression not situated solely within the imaginaries of cis white men, but the imaginaries of all Americans.”

Jeremy O. Harris & Robert O'Hara photo by Jenny Anderson

Jeremy O. Harris & Robert O’Hara photo by Jenny Anderson

O’Hara said, “I’m thrilled as a black queer artist to be collaborating with another black queer artist on what will be both of our Broadway debuts. I think the idea that I can say that openly and proudly is rather profound given the history of our country and of the American theater, but more specifically Broadway which has had and continues to have a general lack of diversity and diverse stories. I feel that Jeremy is joined today by a whole host of exciting young artists who are telling stories outside the main stem which can now hopefully be presented on the main stem. As the margin slowly becomes the center, I believe a cavalcade of voices one would never expect to be heard on Broadway can be and should be demanded. Slave Play is a complex, challenging and exhilarating piece of work and I look forward to presenting it this fall on Broadway.”

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Broadway Bound

Michael Jackson Bio-Musical Don’t Stop ‘Til You Get Enough Will Open in Chicago Ahead of Broadway

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The musical inspired by the life of the deceased pop icon Michael Jackson has found its title, Don’t Stop ‘Til You Get Enough. Still in development after a reading in June of last year, the musical, named after Jackson’s classic song from the 1979 album Off The Wall, will incorporate the Jackson music catalog.

Focusing on Jackson’s career in his 20s–30s, Two-time Pulitzer Prize winner Lynn Nottage is attached as the book writer and Christopher Wheeldon will direct and choreograph.

Announced by the Michael Jackson Estate and Columbia Live Stage, the highly anticipated musical will have an out of town run in Chicago starting October 29th and running through December 1st, 2019 at Chicago’s James M. Nederlander Theatre (formerly the Oriental Theatre) before transferring to Broadway in 2020.

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