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The Broadway League Should Have All Theatres #Dim4Kyle

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Broadway lost a treasure as the light that was Kyle Jean-Baptiste dimmed far too soon. As we previously reported, Kyle succumbed to his injuries after an accidental fall off of his mother’s fourth floor fire escape in New York City. This devastating loss came just one day after Kyle completed his run as the youngest and the first Black Jean Valjean in the Broadway staple, Les Miserables.

The theatre community was stunned when the news broke. But the story quickly became viral, and Kyle’s name started trending nationally on Twitter. These weren’t just Les Miz fans and fellow actors who were mourning his loss. It was the entire country. It’s not hard to figure out why. Kyle’s story was incredibly moving.

Kyle Jean Baptiste, at age 21, was living his dream. But more than that, it was the American Dream. Cast in his first Broadway show the day after graduating college, Kyle was making the most of every day of his life. He began as an understudy to the lead character, Jean Valjean. But then, he got his shot. Kyle performed the lead role for several performances in July and August, wowing the crowd. Kyle was scheduled to leave Les Miz in less than two weeks so that he could join the Broadway production of The Color Purple. And then tragedy struck.

The news of Kyle’s untimely death touched so many that a tribute was held at Bethesda Fountain in Central Park yesterday. Approximately 200 people attended, bringing flowers and kind words for Kyle’s fellow Les Miz cast members and his family. Simultaneously, a movement began on social media to have Broadway formally recognize Kyle’s contribution to the theatre community and the void that will never be filled. Spurred by the hashtag #Dim4Kyle, hundreds implored the Broadway League to dim the lights of Broadway theatres in remembrance of Kyle Jean Baptiste. Unfortunately, the League chose only to dim the lights of the Imperial Theatre where Les Miz is performed, and not all of Broadway, despite the fact that all of Broadway and all of the country have been saddened by his death. It is not clear why the decision was made, but it is definitely disappointing.

One is left to wonder what the criteria are to have the Broadway lights dimmed in tribute. “Nationally mourned actor who broke both a race and an age barrier in a hugely popular Broadway production” is apparently not enough. We believe that honoring Kyle in this way would demonstrate that it is your impact to the art, and not merely your age or the length of your career, that is held in highest esteem. The Broadway League got this one wrong. If you agree, add your voice to the comments below. Seek them out on social media. It’s not too late to right this wrong.

Tell The Broadway League that all the theatres should #Dim4Kyle.

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Get Your War Clothes On: Billy Porter Energizes in GLAAD Acceptance Speech

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So, I have a question.

In the same line of thought as “innocent until proven guilty,” do we grant the assumption of positive intent in our expectations of our brothers and sister in regards to woke-ness, à la woke until proven problematic?

Now don’t get me wrong, there was no doubt in my heart that Tony and Grammy Award-winner, Billy Porter, was woke. Nope, none. What I wasn’t ready for, was the way he fixed his fingers to pen one of the greatest acceptance speeches of my lifetime, and how he turned the Gospel classic “I Don’t Feel No Ways Tired” into a battle song.

The 28th Annual GLAAD Media Awards honored Billy Porter with the Vito Russo Award, presented to an openly LGBTQ media professional who has made a significant difference in promoting equality and acceptance.

He started by affirming the room full of members of marginalized communities, with my personal daily mantra: “You are enough. we are enough.”

Since the beginning of time artists are the folks who engage critically and encourage those who think they are powerless to question the status quo.

Brothers and sisters across the room leaned in.

The days of shut up and sing are over.

Alliteration informed and illustrated as Porter preached on remaining “vigilantly visual” as we tell our stories. Acknowledging the reality of our times, he spoke on Number 45:

Where they slipped up this time is in that declaration of war. It’s not only against Black and Brown people and Queer people anymore, it’s against ALL of us. And as a result, the good news is: white folk, and straight folk, and all those fierce women folk, are mad now. And NOW maybe something might get done!

Get. Your. War. Clothes. On.

From slavery to emancipation, to the 13th Amendment, to Jim Crow, to the Civil Rights Movement. From Stonewall to AIDS, to marriage equality— we gotta remember the shoulders who we stand on—the ones who fought and died for those freedoms that we hold so dear. Let’s use these historical strides we’ve made as a nation to empower us as warriors on this battlefield of equality.

Amen.

Until we can figure out how to love one another unconditionally, no one wins. Freedom. Equality. Justice. Have always come at a cost and evidently the always will.

If that’s not the truth.

Stay strong. Stay vigilante. Stay visible. Stay hopeful. Stay focused. Be brave. Be fierce.

Resist.

RESIST.

RESIST.

RESIST.

For a full list of this year’s winners, honorees, and guests, visit GLAAD.

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Jazmine Sullivan: The Next Singer-Songwriter To Write A Broadway Musical?

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We recently caught up with Jazmine Sullivan at The HeLa Project, a multimedia exhibition inspired by the HBO film, The Immortal Life of Henrietta Lacks.

Like the rest of us, Jazmine is in awe of the under-told story of Henrietta Lacks and her instrumental role in modern medicine. We further asked about why she got involved with the project and she said: “Anyway I can give light to an extraordinary woman like that, I’m there.”

Some of the integral women in bringing this story to light have their roots in Broadway: Tony Award-winning producer Oprah Winfrey, who not only stars in the film, but also credited as executive producer, and Tony Award winner Renée Elise Goldsberry, who portrays the title character.

We wouldn’t be Broadway Black if we didn’t keep it real.

Let’s be honest, we can’t get enough of 11-year-old Jazmine singing “Home” like she wrote the piece, so we got to asking, and it turns out Jazmine wouldn’t mind putting her pen to paper to create a musical for the Broadway stage.

She said performing on Broadway isn’t in the plans for the near future but, “You never know! I love writing and creating characters!”

God!? Oprah!?!? Stephen Byrd & Alia Jones-Harvey?!?! Who’s going to snatch this up?

Until then, it sounds like we have some new music to expect. What kind of musical would you like to see from Ms. Sullivan? Sound off below in the comments!

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Twitter: @BroadwayBlack

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