We Were There: The Three Musketeers

At the Richard Rodgers Amphitheater in Marcus Garvey Park, tucked between a baseball diamond and a playground, the Classical Theatre of Harlem’s fast-paced swashbuckling retelling of The Three Musketeer’s, brings a little Paris to Harlem, but not without taking a little Harlem to Paris.

As the sun sets in the trees somewhere behind the stage, you’ll take in a dabbing Porthos (Reynaldo Piniella), an ensemble of dancers from the Elisa Monte company, and Shayshahn “PhearNone” MacPherson on the Aurora violin, leaving one to wonder “Are we in Harlem or in France?”

In Catherine Bush’s adaptation of the Alexandre Dumas classic under Jenny Bennett’s direction, a female D’Artagnan (Miriam Hyman; The Piano Lesson ) moves from the country in hopes of joining the King’s musketeers. Before doing so of course, she must first sword-fight with almost everyone, fall in love with her landlord’s daughter (Ava McCoy), and figure out what it means to be “all for one and one for all.” It’s a tale about the three musketeers that’s less about the classic trio, and more about D’Artagnan the musketeer wannabe who can’t seem to catch a break.

Miriam Hyman – Photo by Jill Jones

Amidst a simple yet impressive set, Hyman shows us a D’Artagnan as we’ve never seen her before, simply because we haven’t seen her before. As Bennett imagined it, D’Artagnan doesn’t need to man up to be a musketeer but woman up, and woman up Hyman does. With her dred-loc bob and braid clips Hyman bounds around the stage with her sword at the ready as if she were already in the King’s service. “If I wanted to kill you,” she nonchalantly tells an injured Athos (Emmanuel Brown; Spider-man: Turn Off the Dark)  “I’d use my sword.” Hyman’s understated confidence and surety ensure that you haven’t any doubt somebody’s dying at her hand before the 90 minutes is up.

The 90 minutes goes by very fast. So fast that if you paused to swat at the many flies that were also trying to enjoy the show, you might miss a connection between a flashback scene happening on the balcony stage left or when they cut  to the present to reenact a story-within-a-story center stage. Even so, in a scene cut too short- literally stopped by a 5 second blackout- the three musketeers get into a bar brawl with flying mugs and chairs… in slow motion! Arguably the most visually arresting (albeit random) scene in the whole show.

Concerning design, when the sun finally disappeared and the front lighting hit the stage just right, the park faded into nonexistence and you could fully bask in CTH’s colorful production. Costume designer Rachel Dozier-Ezell’s mix of bold and bright patterns added a layer of captivation to the dancers dresses, the Queen of France’s (Afia Abusham) ball gown, and of course the musketeers. Consider this, could Athos, Porthos and Aramis (Brandon Carter) have made better entrances without velvet capes and striped pantalons paired with floral chemisiers, paisley vests and cheetah print boots? I think not!

If Paris, France represents a little respite amidst the chaos of a troubled world, with sword fights and cautionary tales of love gone wrong, then yes, CTH’s The Three Musketeers definitely brought a little France to Harlem.

Courtesy of The Classical Theatre of Harlem

Location: Richard Rodgers Amphitheater, Marcus Garvey Park. Free and open to the public.

Creative: By Catherine Bush, adapted from the novel by Alexandre Dumas. Directed by Jenny Bennett. Choreography by Tiffany Rea-Fisher. Fight Choreography by Emmanuel Brown.

Cast: Starring Miriam Hyman, Emmanuel Brown, Brandon Carter, Reynaldo Piniella, Michael Early, R.J. Foster, Anthony Merchant and Piera Van de Weil. Featuring Afia Abusham, Jeffrey Alkins, Jamar Brathwaite, Avon Haughton, Ava McCoy, Nedra Snipes, Jorge Sanchez, Jak Watson and The Elisa Monte Dance Company.

Running Time: 90 minutes, no intermission

Through July 30