Connect with us

How Do We Feel

Always Bet On Broadway Black

Published

on

In 1906 on the campus of Cornell University, seven Black men created Alpha Phi Alpha Inc., the first African-American Greek Letter Organization. After being faced with the inequalities of the fraternal world, they wanted to create a safe space for Black men to come together in unity. In 1909, the NAACP was created, one of the earliest and most influential civil rights organizations in the United States. In 1951, there was Jet magazine (initially The Weekly Negro News Magazine), and in 1979 Robert and Sheila Johnson created BET, our own television network.

For years, African-Americans have struggled to have their voices heard on all platforms, which is why we seek out opportunities to create spaces for us, by us. When others won’t do right by us, it’s the hope that at least we will. This is why I wasn’t the least bit surprised by the error written by playbill.com when announcing the actress/singer stepping into those silver slippers as Dorothy for NBC’s The Wiz Live. Playbill.com incorrectly reported that Grammy-nominated R&B songwriter Shanice (Wilson) had been cast as Dorothy. While on the surface this may not seem like a problem, it’s actually adding to a larger problem that African-Americans face: erasure. Not only is it problematic that it was published before it being fact-checked or edited for errors, but it’s an insult to 18-year-old Shanice Williams, who rightfully earned her debut role.

Mistakes are common and human error is possible, but when your entire website deals with content pertaining to all things Broadway and theatre and you’ve been covering the story for months, a little more attention to detail is crucial. It’s times like this that we gravitate towards those that are actually in our corner, like Broadway Black.

Created in 2011 with one goal in mind, Broadway Black prides itself on being dedicated to highlighting the achievements and successes of African-American theatre artists on and off the Broadway stage. That’s why I was interested in becoming a Contributing Writer. As an artist, I love coming to Broadway Black to read what is happening on the Black theatre scene. It is enlightening, it is refreshing and it is about time. Errors like that of Playbill have no room in our space because this is our mission. Our articles require thorough research to do the show and/or actor justice. During a time when we are facing pain as a community, I tend to view Broadway Black as a sliver of hope. Seeing this young, fresh-faced 18-year-old Black girl from New Jersey live out her dreams in such a big way is monumental. Her story deserves to be told accurately by people who are wholeheartedly invested, not just because it was another assignment.

That’s why I ALWAYS choose Broadway Black.

Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Congrats!

Get Your War Clothes On: Billy Porter Energizes in GLAAD Acceptance Speech

Published

on

billy porter

So, I have a question.

In the same line of thought as “innocent until proven guilty,” do we grant the assumption of positive intent in our expectations of our brothers and sister in regards to woke-ness, à la woke until proven problematic?

Now don’t get me wrong, there was no doubt in my heart that Tony and Grammy Award-winner, Billy Porter, was woke. Nope, none. What I wasn’t ready for, was the way he fixed his fingers to pen one of the greatest acceptance speeches of my lifetime, and how he turned the Gospel classic “I Don’t Feel No Ways Tired” into a battle song.

The 28th Annual GLAAD Media Awards honored Billy Porter with the Vito Russo Award, presented to an openly LGBTQ media professional who has made a significant difference in promoting equality and acceptance.

He started by affirming the room full of members of marginalized communities, with my personal daily mantra: “You are enough. we are enough.”

Since the beginning of time artists are the folks who engage critically and encourage those who think they are powerless to question the status quo.

Brothers and sisters across the room leaned in.

The days of shut up and sing are over.

Alliteration informed and illustrated as Porter preached on remaining “vigilantly visual” as we tell our stories. Acknowledging the reality of our times, he spoke on Number 45:

Where they slipped up this time is in that declaration of war. It’s not only against Black and Brown people and Queer people anymore, it’s against ALL of us. And as a result, the good news is: white folk, and straight folk, and all those fierce women folk, are mad now. And NOW maybe something might get done!

Get. Your. War. Clothes. On.

From slavery to emancipation, to the 13th Amendment, to Jim Crow, to the Civil Rights Movement. From Stonewall to AIDS, to marriage equality— we gotta remember the shoulders who we stand on—the ones who fought and died for those freedoms that we hold so dear. Let’s use these historical strides we’ve made as a nation to empower us as warriors on this battlefield of equality.

Amen.

Until we can figure out how to love one another unconditionally, no one wins. Freedom. Equality. Justice. Have always come at a cost and evidently the always will.

If that’s not the truth.

Stay strong. Stay vigilante. Stay visible. Stay hopeful. Stay focused. Be brave. Be fierce.

Resist.

RESIST.

RESIST.

RESIST.

For a full list of this year’s winners, honorees, and guests, visit GLAAD.

Continue Reading

How Do We Feel

Jazmine Sullivan: The Next Singer-Songwriter To Write A Broadway Musical?

Published

on

jazmine sullivan

We recently caught up with Jazmine Sullivan at The HeLa Project, a multimedia exhibition inspired by the HBO film, The Immortal Life of Henrietta Lacks.

Like the rest of us, Jazmine is in awe of the under-told story of Henrietta Lacks and her instrumental role in modern medicine. We further asked about why she got involved with the project and she said: “Anyway I can give light to an extraordinary woman like that, I’m there.”

Some of the integral women in bringing this story to light have their roots in Broadway: Tony Award-winning producer Oprah Winfrey, who not only stars in the film, but also credited as executive producer, and Tony Award winner Renée Elise Goldsberry, who portrays the title character.

We wouldn’t be Broadway Black if we didn’t keep it real.

Let’s be honest, we can’t get enough of 11-year-old Jazmine singing “Home” like she wrote the piece, so we got to asking, and it turns out Jazmine wouldn’t mind putting her pen to paper to create a musical for the Broadway stage.

She said performing on Broadway isn’t in the plans for the near future but, “You never know! I love writing and creating characters!”

God!? Oprah!?!? Stephen Byrd & Alia Jones-Harvey?!?! Who’s going to snatch this up?

Until then, it sounds like we have some new music to expect. What kind of musical would you like to see from Ms. Sullivan? Sound off below in the comments!

Continue Reading

Twitter: @BroadwayBlack

Hot Topics