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3 Reasons You Need To Start Listening To Off-Book NOW!

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Who doesn’t love a good podcast?
Sitting on the train? Pop in those headphones and listen to a podcast.
Bored at work? Podcast. Cleaning your apartment? Podcast. They’re the perfect way to add a little comedy and knowledge to your daily routine.

As an extension of Broadway Black, Off-Book: The Theatre Podcast brings us up to speed on the happenings, interests, and issues in our theatre world. As always, the achievements and success of African Americans on and off Broadway will be highlighted, but let’s be honest we’re here for that freshly steeped, full leaf TEA.

Speaking of tea, I like my tea three ways–full, strong, and Black. Donja R. Love, Amber Iman, and Andrew Shade must know my heart because Off-Book is all three.

Full.
I can’t listen to a podcast, or anything for that matter, that’s monotoned and limited in perspective. Off-Book presents the point of view of a theatre journalist, an actress, and a playwright. They balance each other, feed off of each other, but, more importantly, bring different perspectives, full commentary on theatre news and events for the week.

Strong.
At Broadway Black, we’re here to advocate, praise, and report; but we’re not afraid to take a stance on hot topics in our community. You come to Broadway Black and Off-Book because an interview or spotlight with us isn’t going to be your typical interview. We’re here to respectfully ask what we’re all thinking. And in the same breath, we’re here to respectfully hold others accountable. It’s all in an effort to create an opportunity to dialogue the issues others may be more prone to tiptoe around.

Black.
One of my favourite characteristics of our people is our charisma. The energy and good vibes radiate through the podcast in a way that has you thirsty to check the podcasts app, hoping and praying there’s a new episode. Shade, Iman, and Love are downright hilarous. They riff out of nowhere, Donja ocassionally snorts, and you might catch someone getting read for filth. Personality makes or breaks a podcast. The chemistry is so organic, you wish you were in the Broadway Black offices kackling along side the cast.

Aside from tea, Off-Book is the place to come to get your questions answered about the industry. The three hosts open up the floor to listeners to ask any question and they are sincere and candid in their answers. Above all, the passion is present. It’s three friends gathering together to talk about one of the things they love the most– the theatre. What better way to stay abreast than from the people who make it their purpose in life to enrich the arts by writing, portraying, and reporting works that show the world who we are.

Tune in this week!

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Get Your War Clothes On: Billy Porter Energizes in GLAAD Acceptance Speech

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So, I have a question.

In the same line of thought as “innocent until proven guilty,” do we grant the assumption of positive intent in our expectations of our brothers and sister in regards to woke-ness, à la woke until proven problematic?

Now don’t get me wrong, there was no doubt in my heart that Tony and Grammy Award-winner, Billy Porter, was woke. Nope, none. What I wasn’t ready for, was the way he fixed his fingers to pen one of the greatest acceptance speeches of my lifetime, and how he turned the Gospel classic “I Don’t Feel No Ways Tired” into a battle song.

The 28th Annual GLAAD Media Awards honored Billy Porter with the Vito Russo Award, presented to an openly LGBTQ media professional who has made a significant difference in promoting equality and acceptance.

He started by affirming the room full of members of marginalized communities, with my personal daily mantra: “You are enough. we are enough.”

Since the beginning of time artists are the folks who engage critically and encourage those who think they are powerless to question the status quo.

Brothers and sisters across the room leaned in.

The days of shut up and sing are over.

Alliteration informed and illustrated as Porter preached on remaining “vigilantly visual” as we tell our stories. Acknowledging the reality of our times, he spoke on Number 45:

Where they slipped up this time is in that declaration of war. It’s not only against Black and Brown people and Queer people anymore, it’s against ALL of us. And as a result, the good news is: white folk, and straight folk, and all those fierce women folk, are mad now. And NOW maybe something might get done!

Get. Your. War. Clothes. On.

From slavery to emancipation, to the 13th Amendment, to Jim Crow, to the Civil Rights Movement. From Stonewall to AIDS, to marriage equality— we gotta remember the shoulders who we stand on—the ones who fought and died for those freedoms that we hold so dear. Let’s use these historical strides we’ve made as a nation to empower us as warriors on this battlefield of equality.

Amen.

Until we can figure out how to love one another unconditionally, no one wins. Freedom. Equality. Justice. Have always come at a cost and evidently the always will.

If that’s not the truth.

Stay strong. Stay vigilante. Stay visible. Stay hopeful. Stay focused. Be brave. Be fierce.

Resist.

RESIST.

RESIST.

RESIST.

For a full list of this year’s winners, honorees, and guests, visit GLAAD.

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How Do We Feel

Jazmine Sullivan: The Next Singer-Songwriter To Write A Broadway Musical?

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We recently caught up with Jazmine Sullivan at The HeLa Project, a multimedia exhibition inspired by the HBO film, The Immortal Life of Henrietta Lacks.

Like the rest of us, Jazmine is in awe of the under-told story of Henrietta Lacks and her instrumental role in modern medicine. We further asked about why she got involved with the project and she said: “Anyway I can give light to an extraordinary woman like that, I’m there.”

Some of the integral women in bringing this story to light have their roots in Broadway: Tony Award-winning producer Oprah Winfrey, who not only stars in the film, but also credited as executive producer, and Tony Award winner Renée Elise Goldsberry, who portrays the title character.

We wouldn’t be Broadway Black if we didn’t keep it real.

Let’s be honest, we can’t get enough of 11-year-old Jazmine singing “Home” like she wrote the piece, so we got to asking, and it turns out Jazmine wouldn’t mind putting her pen to paper to create a musical for the Broadway stage.

She said performing on Broadway isn’t in the plans for the near future but, “You never know! I love writing and creating characters!”

God!? Oprah!?!? Stephen Byrd & Alia Jones-Harvey?!?! Who’s going to snatch this up?

Until then, it sounds like we have some new music to expect. What kind of musical would you like to see from Ms. Sullivan? Sound off below in the comments!

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