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New Musical By Phillip Howze Reaches Trans/Queer Youth

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In America, it is estimated that 1.6 million youth are homeless each year and that up to 40% of them identify as lesbian, gay, bisexual or transgender. Yet, LGBT youth represent an estimated 7% of the total youth population. Utilizing the arts to address this social issue materializes a new musical, The Children, courtesy of recent Yale School of Drama graduate Phillip Howze.

In a message from pop icon and Tony winner Cyndi Lauper – co-founder and board member of True Colors Fund – she states: “While great strides have been made in recent years… when young people are so bullied and tormented that they feel their only way out of that hell is to end their lives, it’s clear we still have a long, long way to go before we achieve full equality and acceptance in this country.”

The mission of the nonprofit organization is to end homelessness among lesbian, gay, bisexual and transgender youth, and to create a world in which young people can be their true selves. Playwright Howze  – whose work includes abominableTiny Boyfriend and all of what you love and none of what you hate – gives a platform for youth with a work-in-progress project, that began Nov. 2, as part of a residency at Brooklyn’s BRIC. Its BRIClab program is for emerging and established local artists to explore and expand the possibilities of their work in music, dance, theater and multi-disciplinary performance.

Directed by Saheem Ali – who most recently served as associate director on The Tempest for Shakespeare in the Park – The Children will culminate with a performance followed by a moderated artist-audience dialogue Nov. 7, at BRIC House Artist Studio. Reflecting Brooklyn’s creativity and diversity, BRIC presents contemporary art, performing arts and community media programs as well as provides resources to launch, nurture and showcase artists and media makers.

Howze, placing his protagonist in New York City, “follows the journey of a teenage boy who escapes his fraught home in search of a place to belong.” Lost and alone, he discovers a restless tribe of young people defying a world that refuses to let them be themselves. The work, set in and around a makeshift shelter, is further described as a funny contemporary musical that upends perceptions of family and celebrates community in the most unlikely of places.

Arrangement and orchestration is by Avi Amon who wrote The White City (O’Neill 2014 National Music Theatre Conference, Discovery New Musical Theater Festival at Ball State University, finalist for the 2015 Richard Rogers Award) and Step on a Crack (featured in Prospect Theater’s Seventh Annual Music Theater Lab). Choreography is designed by New York-based dance and theatre artist Jennifer Harrison Newman (Saturday Night Fever, The Lion King), who has studied at the Alvin Ailey American Dance Center and performed with Michael Jackson and The Radio City Rockettes.

A 2015 Fellow of the Sundance Institute Theater Lab, Howze’s Self-Portraits will be developed and presented in conjunction with a 2015-16 fellowship at Lincoln Center Education, while all of what you love and none of what you hate will receive a micro-residency at The Bushwick Starr in February as well as be featured at Cutting Ball Theater’s Risk Is This… Festival in San Francisco during March.

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Events and Happenings

Erika Dickerson-Despenza Addresses Flint Water Crisis with Cullud Wattah

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Playwright Erika Dickerson-Despenza

There is limited seating left for Erika Dickerson-Despenza’s new play CULLUD WATTAH at The Public Theater. Opening today, Thursday, March 7th and running until Sunday, March 10th in the Public Studio is about three generations of Black women living through the current water crisis in Flint, Michigan.

“It’s been 936 days since Marion’s family has had clean water. When local activists file a class action lawsuit against the city, Marion—a third-generation employee at General Motors—must decide how best to support her two daughters, sister, and mother while lead seeps into the community, their home, and their bodies. As corrosive memories and secrets rise among them, the family wonders if they’ll ever be able to filter out the truth.”

2018 Relentless Award Semifinalist and poet-playwright makes her Public Theater debut with CULLUD WATTAH directed by Lilly Award winner Candis C. Jones; the cast includes Deonna Bouye (Marion), Alana Raquel Bowers (Reesee), Caroline Stefanie Clay (Big Ma), Nikiya Mathis (Ainee), and Kara Young (Plum).

The creative team includes Production Stage Manager Gregory Fletcher, Stage Manager Priscilla Villanueva, and Movement Director Adesola Osakalumi. Along with scenic design by Arnulfo Maldonado, Costume Design by Ntokozo Fuzunina Kunene, lighting Design by Jeanette Oi-Suk Yew, and sound design by Megan Culley

We believe in this work so much we’re giving away 4 tickets to the performances on March 10th. 2 tickets to the matinee and two the evening performance thanks to our founder Drew Shade and actress/playwright Jocelyn Bioh. Go to our Instagram to find out how!

Also, find out more about how you can help the Flint Water Crisis and support this show HERE.

Listen to Erika talk about her work on an episode of Off Book Podcast below

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Events and Happenings

Surely Goodness and Mercy by Chisa Hutchinson Begins Off-Broadway

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Performances begin today, Tuesday February 26th, for the New York premiere of  Surely Goodness and Mercy, presented by Keen Company. A story about an exceptional boy living a troubled life in Newark, NJ who does a good deed for an often unnoticed person.   Sarita Covington, Jay Mazyck, Brenda Pressley, Courtney Thomas, and Cezar Williams star under Jessi D. Hill’s direction.

Set in an under-funded public school in Newark, Surely Goodness and Mercy by rising playwright Chisa Hutchinson, tells the story of a bible-toting boy with a photographic memory who befriends the cantankerous old lunch lady. Against all odds, Tino and Bernadette help each other through the mess of growing up and growing old.  

Surely Goodness and Mercy has spent the last year charming audiences across the country: “Notably absent from Hutchinson’s frank and sobering story: cynicism” – Chicago Reader; “(Surely Goodness and Mercy has) a soul-stirring quality, touching audiences with its sincerity” – Daily Utah Chronicle; “it’s impossible not to like it” – The Salt Lake Tribune. Now, Keen is honored to bring this big-hearted new play to New York for the first time.

Performances for this limited Off-Broadway engagement of Surely Goodness and Mercy will continue through Saturday, April 13th only, with opening night set for Wednesday, March 13th.

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